myOtaku.com: Triplegirlz2

myO Still <3's You

Vitals

Birthday
• 1990-05-26
Gender
• Female
Location
• California
Member Since
• 2005-04-06
Occupation
• Student
Real Name
• Kathy and Cindy

Personal

Achievements
• Teaching ourselves how to draw! =P
Anime Fan Since
• The end of eighth grade =D
Favorite Anime
• YAY!!Finally we have a fav! Let's see, theres: Ranma( fav charac. is Ryoga!), DN Angel, Naruto, Fruits Basket, Full Metal Alchemist, and Inuyasha. If u think there are better animes out there let us know!!
Goals
• To be the best drawers in the world..w00t
Hobbies
• Drawing, TV, and Origami
Talents
• Drawing and watching 12 hours of TV everyday

myOtaku.com: Triplegirlz2

Thursday, June 7, 2007

A long with his colleagues, James Weldon Johnson and Main Locke, Charles Johnson populated the phrase of the “New Negro” which meant the new individualized black from white sociality. Johnson was determined to help African American writers become known in white society. He created a “coming-out party” for people with literary talent called the “Civic Club Dinner”.
Along with literary geniuses like Alain Locke, Langston Hughes, Larry Neal and Amiri Baraka, who were also African American leaders, there were also women who persuaded advancement for their race. Women like Jessie Fauset and Ethel Ray Nance, both connected with Charles Johnson, became some of the most notable literary women during the Harlem Renaissance. One of Jessie Fauset's students said that “had she not been a “colored women”… there is no telling what she would have done... “Fauset secured a position as literary editor for the crisis in 1919. More women, like Zoru Neale Hurston, Pauline E. Hopkins, Nella Larsen and Gwendolyn Benett, pay7ed the path for both blacks and women to enter the literary arena.

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